- Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Id
- Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Login
- Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Site
- Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Page
Unfortunately I have no MIDI stuff/equipment but I do have some alright speakers and headphones so that's all I need. (as well as a laptop, obviously). Because I'm quite young, only 15 :/ so I don't have the money to buy this stuff haha.
ANYWAY I'll get straight to the point now, I want to aim for the rolling dnb beat kinda thing with, what I believe you call, ghost notes? in the middle of the 2 kick and snares break. http://www.youtube.com/watch?v=P1MgZ5lyZIU <-- Kinda like this one... just without the continuous close kick and snare thing because I'm wanting to use a standard dnb beat.
I think I've cracked it but I'm just not getting the sound I want, it could be the samples I'm using (but I'm getting vengeance sound packs soon, I heard they were good), so I was wondering, what are people's techniques to get the cool rolling hi-hats/light snares and what they use?
Thanks, I love this forum and can't wait to get stuck into some producing!
Talk about all things Drum & Bass. Any advertisements or waffle will be moved by the mods. Review: Amplify is a name we're becoming more familiar with and they've come out with a properly good collection of tracks here, tunes with an urban-edged spin on modern D&B and jungle. They're tunes which you can imagine hearing out your mates' car, and that's a very good thing. 'Out of Me' is a rolling number and it's one with a wicked choppy bass and a satisfying sense of sparseness in the. DRUM AND BASS DECEMBER MIX 2020 BY PRECISE MUSIC.mp3 By matiassproducer 20:09:50 +00:00. Drum n Bass 53 0 0 0 1. Hodgy's 40th set - Part 1 - DNB Ragga Jungle - DJ Extreme By DJExtrem3 19:25:08 +00:00. Drum n Bass 73 3 0 0 2. Dnb20 By DJ Kezza.
Our resident beatsmith gets back to (drum and) bassics with this raw, sparse drum & bass workout.
Beat Dissected is a regular series that deconstructs drum patterns, showing you how to recreate them in any DAW. Just copy the grids in your own software to recreate the loop.
![Timeless drum an bassdecember 3rd 2016dj tremor dnb homepage id Timeless drum an bassdecember 3rd 2016dj tremor dnb homepage id](https://tt.tickettannoy.com/media/5001/881914_10152774506168135_7500271281622397305_o.jpg)
Here’s the full beat we’ll be making this week:
Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Id
![Timeless drum an bassdecember 3rd 2016dj tremor dnb homepage page Timeless drum an bassdecember 3rd 2016dj tremor dnb homepage page](https://www.hardscore.com/wp-content/uploads/2019/02/DJextreme-Original-Mix-Tape-March-1996.jpg)
Tempo
168-178bpm
Sounds
raw live kit sounds, machine kick, plus dirty break/s
Step 1
Open with this simple kick line. The choice of sound is important. We’ve gone for a 909-style sample with plenty of thump, punchy in the lows but not over the top. To create mix space for the bassline, the kick passes through a high-pass filter set at around 85Hz. Some of the mids and highs have been increased to help it cut through a busy mix (and the break that will be overlaid in step 5).
http://www.attackmagazine.com/wp-content/uploads/2012/06/Beat-1-1.mp3Step 2
With the snare in, the classic breaks-derived drum & bass rhythm is already evident. The snare is made up of three elements – a low punch, the fundamental pitch of which is boosted to make it hit harder, a rough live hit for fullness in the mids, and a characterful top snare with an uber-fast attack transient that’s high passed then fed through subtle hall reverb to give the snare a washy ambience.
http://www.attackmagazine.com/wp-content/uploads/2012/06/Beat-1-22.mp3Step 3
Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Login
The groove is filled out now with the hi-hats. You don’t need anything too characterful here: just a nice clacky sound, machine or live-kit sourced, that brings definition to the high-end (and to the kick and snare). Where the kick and snare sounds are often picked to be larger that life, the hi-hat should take a clear (and clean) back-seat: hold off on any distortion, overdrive or saturation. Some judicious EQ and reverb help it slot neatly back in the mix. The 16th-measure ghost notes at the end of the beat are swung back slightly and play at a lower volume to give the beat a little swing.
http://www.attackmagazine.com/wp-content/uploads/2012/06/Beat-1-31.mp3Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Site
Step 4
The live-style on-the-eighth ride is tuned to sit with the rest of the beat, and then a bitcrusher effect is used to change its harmonics. You may also want to EQ out lower frequencies and add a feed to the same reverb on the snare. Last in line comes a compressor, side-chain driven from the kick and snare, to ensure that the ride is knocked back in the mix when either a kick or snare hits. This adds a breathy feel to the beat, and ensures the two key elements always knock through clearly.
Timeless Drum An Bassdecember 3rd 2016dj Tremor Dnb Homepage Page
http://www.attackmagazine.com/wp-content/uploads/2012/06/Beat-1-41.mp3Step 5
Now for the break! The drums programmed in steps 1-4 are grouped and run through a saturator effect to blend them and dirty them up a little. A range of raw breakbeat loops are then auditioned until one that works with the sounds and groove established so far is found. At this stage it’s character that matters. When a break with the same sonic feel is found then cutting can begin: slicing and re-programming in any number of ways to create a new original drum & bass groove. The coup de grace is a slinky downward roll at the end of the 8-bar measure.
http://www.attackmagazine.com/wp-content/uploads/2012/06/Beat-1-52.mp3
If you enjoyed this tutorial you might find our book ‘The Secrets of Dance Music Production’ a helpful resource for similar tutorials.
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